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	<title>Blogonandon &#187; copyright</title>
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		<title>Remix and the Rouelles of Media Production</title>
		<link>http://www.itison.net/blog/archives/9620</link>
		<comments>http://www.itison.net/blog/archives/9620#comments</comments>
		<pubDate>Wed, 15 Sep 2010 02:49:28 +0000</pubDate>
		<dc:creator>iio</dc:creator>
				<category><![CDATA[Art & Design]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Free Culture]]></category>
		<category><![CDATA[ITISON]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[networkedbook]]></category>
		<category><![CDATA[open]]></category>
		<category><![CDATA[ovc]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[remix©ulture]]></category>

		<guid isPermaLink="false">http://www.itison.net/blog/?p=9620</guid>
		<description><![CDATA[Since the beginning of the year I have been part of an online seminar ‘Remix Theory and Praxis’ established by Owen Gallagher of Total Recut discussing the merits of &#8216;Remix Culture&#8217;. Through meetings over Skype and email, Mette Birk, Eli Horwatt, Martin Leduc, Eduardo Navas, Tara Zepell, Owen &#38; myself discussed relevant academic texts and [...]]]></description>
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		<title>Mixtape Amnesty</title>
		<link>http://www.itison.net/blog/archives/548</link>
		<comments>http://www.itison.net/blog/archives/548#comments</comments>
		<pubDate>Thu, 29 Apr 2010 03:19:05 +0000</pubDate>
		<dc:creator>iio</dc:creator>
				<category><![CDATA[Comedy / Humour]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Free Culture]]></category>
		<category><![CDATA[4fm]]></category>
		<category><![CDATA[advert]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[viral]]></category>

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		<description><![CDATA[click to see BIG >> > I picked up the Irish Times today and had to take a snap of the back. There on the page of ads was a big one for Mixtape Amnesty. I thought, this can&#8217;t be serious&#8230;. The website is here is you want to find out how you can get [...]]]></description>
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		<title>U &#039;Steal This Film&#039; 2</title>
		<link>http://www.itison.net/blog/archives/159</link>
		<comments>http://www.itison.net/blog/archives/159#comments</comments>
		<pubDate>Thu, 21 Feb 2008 00:42:22 +0000</pubDate>
		<dc:creator>kram</dc:creator>
				<category><![CDATA[Audio / Music]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Film / Video]]></category>
		<category><![CDATA[Free Culture]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Social]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[p2p]]></category>
		<category><![CDATA[piracy]]></category>

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		<description><![CDATA[I&#8217;ve just finished watching the second installment of &#8216;Steal This Film&#8216;. Put this on top of the first part and it is a damn good look at the &#8216;culture of copying&#8217; which has existed (as a form of communication) since the dawn of time. I met with one of the makers behind this worthy project [...]]]></description>
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		<title>The Pirate&#039;s Dilemma</title>
		<link>http://www.itison.net/blog/archives/116</link>
		<comments>http://www.itison.net/blog/archives/116#comments</comments>
		<pubDate>Thu, 17 Jan 2008 00:30:46 +0000</pubDate>
		<dc:creator>kram</dc:creator>
				<category><![CDATA[Audio / Music]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Technology]]></category>
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		<category><![CDATA[copyright]]></category>
		<category><![CDATA[history]]></category>
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		<category><![CDATA[pirate]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[share]]></category>

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		<description><![CDATA[&#124; View &#124; Upload your own How do you start a movement with a marker pen? What’s the connection between the nun who invented disco, and file sharing? How did a male model messing with disco records in New York in the 1970s influence the way Boeing design airplanes? Does hip-hop really hold the secret [...]]]></description>
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