Posts Tagged ‘ remix©ulture

Everything Is A Remix

This is the first of a four part series about the history of remix in music, Everything is A Remix, by Kirby Ferguson. In this part, he takes a look at the wider definition of remix as in the borrowing of riffs and beats so common throughout modern popular music.  It’s refreshing to see such reminders of the history of modern music at a time when one of the music industry’s biggest pursuits is in the courts suing the fans. So music artists are influenced by others and they copy? Of course they do, and they do it a lot. Sound familiar? It’s nothing new and only natural.  Do you copy?!

visit the website Everything Is A Remix for more information on this project.

- Yes, yes, for those in the know, I will unleash my thing soon!

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Remix and the Rouelles of Media Production

Since the beginning of the year I have been part of an online seminar ‘Remix Theory and Praxis’ established by Owen Gallagher of Total Recut discussing the merits of ‘Remix Culture’. Through meetings over Skype and email, Mette Birk, Eli Horwatt, Martin Leduc, Eduardo Navas, Tara Zepell, Owen & myself discussed relevant academic texts and ideas which relate to the subject as well as sharing examples demonstrating the rise of remix as the tools of production became affordable to the wider public outside of the media industry. This has led to an explosion of creativity which has filtered back into the media itself with the discovery of new techniques of storytelling brought about by wider experimentation.

[image above links to the work]

One of the things we set out to do as a group was to create a remixed text whereby we all wrote a bit about our ideas of remix culture and put it up and mixed it together in a wiki to form part of the Networked Book project (a networked book about networked art). It not exactly a Brion Gysin / William S. Burroughs cut-up approach, but it is interesting to see a multi-authored piece of text come together cohesively. The result is a piece which which is challenging to our perception of creative culture and highlights the problems with copyright in a world so consumed by mass media. It is only natural for people to use these media sources as reference points in studies of modern culture or as a language in itself to tell new and unique stories. This text analysing these perspectives is now available on the site and is organic in form in that it can be further remixed and expanded upon within the text itself and discussed in comments alongside.

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Newport (Jay-Z & Alicia don’t like it)

Bah.. so I just heard about the pulling off YouTube of the Newport (Ymerodraeth) State of Mind video. Ok, it’s last weeks news, but we aren’t all on the same page at the same time! So, it wasn’t EMI but the songwriters who ordered the takedown (from the holy grail of entertainment that is the Tube of Goo). Yep, Alicia Keys, Jay Z and friends didn’t like it according to reports… 1 2 But then again they probably felt that by pulling it the would make it go even more viral.. More PR! What’s it they say about that?!

Newport State Of Mind: why has it been removed? BBC Wales Music Article by James McLaren is worth a read as it looks at the legal aspect of cover versions etc. The thing is though, it captures something that music inspires… relating, responding, singing (Hey, do you relate?!). It’s all about the versions! Personally I think this version is miles better than the original, certainly much cleverer.

Don’t get me started on sample based music (or even inspired music for that matter)…

ahem..

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Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported
This work by it:is:on is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported.