Posts Tagged ‘ copyright

Remix and the Rouelles of Media Production

Since the beginning of the year I have been part of an online seminar ‘Remix Theory and Praxis’ established by Owen Gallagher of Total Recut discussing the merits of ‘Remix Culture’. Through meetings over Skype and email, Mette Birk, Eli Horwatt, Martin Leduc, Eduardo Navas, Tara Zepell, Owen & myself discussed relevant academic texts and ideas which relate to the subject as well as sharing examples demonstrating the rise of remix as the tools of production became affordable to the wider public outside of the media industry. This has led to an explosion of creativity which has filtered back into the media itself with the discovery of new techniques of storytelling brought about by wider experimentation.

[image above links to the work]

One of the things we set out to do as a group was to create a remixed text whereby we all wrote a bit about our ideas of remix culture and put it up and mixed it together in a wiki to form part of the Networked Book project (a networked book about networked art). It not exactly a Brion Gysin / William S. Burroughs cut-up approach, but it is interesting to see a multi-authored piece of text come together cohesively. The result is a piece which which is challenging to our perception of creative culture and highlights the problems with copyright in a world so consumed by mass media. It is only natural for people to use these media sources as reference points in studies of modern culture or as a language in itself to tell new and unique stories. This text analysing these perspectives is now available on the site and is organic in form in that it can be further remixed and expanded upon within the text itself and discussed in comments alongside.

The group will be taking part in show and tell panel and screening sessions “Theory of Remix” in this year’s Open Video Conference (October 1st & 2nd) in New York City. I was to be participating in this but I could not secure funding to travel and could not afford to go otherwise. I had thought about crowd-funding my trip, but at that stage it would have been too late to get it organised properly and I didn’t want to dilute my plans for crowd-funding something else (which I will announce soon). It’s a pity I can’t be there as it’s something I was really looking forward to being a part of and to meeting those in the group whom I haven’t yet met in person. There’s a swarm of interesting offerings at this years conference including “EFF vs Burning Man”, “When YouTube Killed the Hitler Meme”, “Building Solutions for Human Rights Video” as well as sessions on HTML5 video, open journalism and lot’s of other open source inspired goodness as well as a great selection of speakers. Check out the schedule of the site fro more info. Most of OVC will be streamed live, so I will be able to attend virtually. Now to finish off that mega remix I have been dragging out way too long!

Mixtape Amnesty

click to see BIG
I picked up the Irish Times today and had to take a snap of the back. There on the page of ads was a big one for Mixtape Amnesty. I thought, this can’t be serious….


The website is here is you want to find out how you can get rid of these criminal cassettes. Cleaning up after the 80s, deleting history from the analog, tape by tape.

Spoiler alert..
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U 'Steal This Film' 2


I’ve just finished watching the second installment of ‘Steal This Film‘. Put this on top of the first part and it is a damn good look at the ‘culture of copying’ which has existed (as a form of communication) since the dawn of time. I met with one of the makers behind this worthy project at Picnic Network last year and was very impressed with the idea behind the film. It does the necessary job of putting into motion pictures the issues surrounding copyright which are being written about so much these days by forward thinking scholars. The first part focuses largely on the debate surrounded piracy online and in particular the story of The Pirate Bay. This recently released second part takes a closer look at the history of ‘copying’ with good sections on the printing press (which was accused of being black magic on it’s dawning!) and on the rise of the internet from it’s inception as a reaction to Sputnik.

Anyway I won’t ruin the film, that would be worse than stealing it…so go ahead and download it!

Steal This Film II


I Wouldn’t Steal
Good Copy Bad Copy